THE KENTE CLOTH
Kente Cloth Designs and Meaning
There are over 350 patterns for Kente Cloths. The patterns are created during the hand weaving process and are determined by the manner in which the threads are intertwined. Below are some popular patterns, the meaning of these Kente Cloth Motifs & Patterns, and what they represent
Literally means “all motifs are used up.”
According to the elders, the designer of this cloth, attempted to weave a unique cloth to please the Asantehene. In his effort he used all the motifs then known to weavers in weaving one cloth. In the end he remarked that he had exhausted all the repertoire of motifs known to Asante weavers. The cloth was, therefore viewed as one of the top quality, and the most prestigious of kente cloths, besides those woven exclusively for Asante Kings. It was in the past, worn by kings and people of high status and wealth.
It symbolizes ROYALTY, ELEGANCE, CREATIVE INGENUITY, EXCELLENCE, WEALTH, PERFECTION and SUPERIOR CRAFTSMANSHIP.
OBAAKOFO MMU MAN
Literally means “one person does not rule a nation.”
It expresses the Akan system of governance based on participatory democracy. The nine squares represent MPUANKRON (nine tufts of hair) a ceremonial hair cut of some royal functionaries who help rulers make decisions. Originally the cloth was named FATHIA FATA NKRUMA. “Fathia is a suitable wife for Nkrumah.” After the military overthrow of Nkrumah, the original significance of MPUANKRON (participatory democracy) was applied to reflect the prevailing political atmosphere.
The cloth symbolizes PARTICIPATORY DEMOCRACY and WARNING AGAINST AUTOCRATIC RULE
Literally means “gold dust.”
Before the use of coins and paper as money, gold dust, was used as a medium of exchange among the Akan peoples and was therefore considered as a symbol of wealth and prosperity. The predominant use of intricately textured patterns in yellows, orange and reds replicate the visual characteristics of gold dust.
The cloth symbolizes WEALTH, ROYALTY, ELEGANCE, SPIRITUAL PURITY and HONORABLE ACHIEVEMENT.
ABUSUA YE DOM
Literally means “the extended family is a force.”
Among the Akan peoples, the extended family is the foundation of society. Like a military force, members of the family are collectively responsible for the material and spiritual well-being, the physical protection and the social security of all its members. The cloth was designed to celebrate and reinforce such positive attributes of the extended family system.
In its many variations and background colors the cloth symbolizes STRONG FAMILY BOND, THE VALUE OF FAMILY UNITY, COLLECTIVE WORK and RESPONSIBILITY and COOPERATION.
Literally means “it has not happened before” or “it has no precedence.”
According to Nana Kwasi Afranie of Bonwire, the Asantehene’s chief weaver, the cloth was designed and so named by one of the Asante Kings who was so awed by the uniqueness of the pattern that he remarked “Eyi de emmaa da” meaning, “this one has no precedence.” The cloth was therefore reserved for the exclusive use of the King, but its use was later extended to people of high ranks.
It is a symbol of CREATIVE INGENUITY, INNOVATION, UNIQUENESS, PERFECTION and EXCEPTIONAL ACHIEVEMENT.
TOKU KRA TOMA
Literally means Toku’s soul cloth.
The cloth is designed and named to commemorate the soul of a warrior Queenmother of that name, who, though was defeated and executed in a battle with Nana Opoku Ware I, the King of the Asante kingdom (1731-1742), was viewed as a courageous woman. It commemorates that historic event and honors the soul of that Queenmother for her bravery. In the past, such a cloth would only be worn by the royalty and people of high rank during very sacred ceremonies in which the spirits of the ancestors are venerated.
The cloth symbolizes COURAGEOUS LEADERSHIP, HEROIC DEEDS, SELF-SACRIFICE, and SPIRITUAL VITALITY and REBIRTH.
WOFRO DUA PA A NA YEPIA WO
Literally means “one who climbs a tree worth climbing gets the help deserved.”
The cloth was designed to express the Akan social thought which maintains that any good individual effort deserves to be supported by the community. When one climbs a good tree that has fruits on it, people around will give him a push, since they know they will enjoy the fruits of his labor. It is a notion that reinforces the importance of aspiring towards a worthy course.
Symbolizes ASPIRATION, HOPE, MUTUAL BENEFITS, SHARING and NOBLE DEEDS.
Literally means “the lion catcher.”
The cloth was designed to commemorate an incident during the reign of King Kwaku Dua (1838 -1867) who tested the courage of his warriors by ordering them to catch a leopard alive. The appellation, “Kyerekwie” was since appended to the names of some of the Asante Kings whose bravery and leadership qualities were comparable to the courage needed to catch a leopard alive. The black vertical warp stripes represent the black sports in a leopard’s fur. In the past, the cloth was worn only by the Asantehene or by other chiefs with his permission.
The cloth symbolizes COURAGE, VALOR, EXCEPTIONAL ACHIEVEMENT and INSPIRING LEADERSHIP.
Literally means “thousands shields.”
This is a reference to shields used by highly well organized militia consisting of thousands of men and women who defended the Asante Kingdom against external aggression. According to the military strategy of the Asante Kingdom, the chief of the shield bearers, the Akyempemhene, and the rear guards of the King are his own sons. Shields once used as military weapons are now used in royal ceremonies to symbolize and commemorate the military prowess of the Asante Kingdom.
The cloth symbolizes MILITARY PROWESS, UNITY THROUGH MILITARY STRENGTH, BRAVERY, POLITICAL VIGILANCE & SPIRITUAL DEFENSIVENESS.
Literally means “God’s eye brow (the rainbow).”
It was created in exaltation of the beauty and mystery of the rainbow phenonmenon. The arrangement of warp threads mimics the visual characteristics of the rainbow.
This cloth symbolizes DIVINE BEAUTY, GRACEFULNESS, DIVINE CREATIVITY, UNIQUENESS, and GOOD OMEN.